University of Wisconsin-Parkside Art Galleries

Please join us in the Rita this afternoon for exhibition receptions for “Carolyn Gagliardi: Journey into Color and Light” (Mathis Gallery) and our current senior student show, “Portrait Stories: David Berry, Jason Lopez, Rebecca Loux” (Foundation Gallery).
Both receptions begin at 4:00 pm and run until 6:30 pm. All are welcome as we celebrate the prolific career of artist and longtime Kenosha resident, Carolyn Gagliardi, and the achievements of our graduating art students.
Amanda H. Brown
Gallery Director and Curator
University of Wisconsin-Parkside Art Galleries

Shane Walsh

Please join us in the Fine Arts Gallery this Thursday, April 21st, at 3:30 pm for an exhibition tour and artist’s talk by Shane Walsh. An opening reception for the exhibition, Shane Walsh: Rehearsed in Reverse, will take place from 4:00-6:30pm. All are welcome.
 
Amanda H. Brown
Gallery Director and Curator
University of Wisconsin-Parkside Art Galleries

The 10 Most Intriguing People at the Fair: Your Peek Inside Dallas’ Art Extravaganza

The 10 Most Intriguing People at the Fair: Your Peek Inside Dallas’ Art Extravaganza

2017 Study Abroad in Italy

Hello Students!The first information session for the 2017 Study Abroad in Italy course will occur this week! I will have information regarding the courses, financial aid, and program costs. This is the meeting to come to if you are interested in participating, but need more information, or would like to fill out serious inquiry paperwork. We are planning even early this time so that each student has time to save and plan for this wonderful opportunity. You do not need to be an Art student to participate. In fact, I encourage you to invite your friends that might be other majors. 
 
Date: April 6th, 2016
Time: 12:00 pm
Location: Wylie 150A (Graphic Design Studio)
 
If you are unable to attend, but would like to meet with me in person, please respond to this email to schedule a time to meet.
Thank you! And I look forward to meeting all of you as we plan and prepare to Study Abroad in Italy!
Professor Carey Watters
 
— Carey Watters
Assistant Professor of Art, Graphic Design
University of Wisconsin-Parkside
wattersc@uwp.edu
For study abroad information:

 

Hi Art Department Students!
It’s time to register for fall classes— HOORAY!! Please remember to set up an advising appointment with your Art dept. advisor, asap, noting that we (advisors/faculty) ARE NOT here after mid- May to help you—sorry, but we’re off the clock at that time . . . If you don’t know who your advisor is, please check your SOLAR account or check in with me. Your advisor will have appt. sign-up sheet posted this coming week outside his/her office.
Here are some basics to have on your radar when registering for classes:
  1. ENROLL ASAP as ART classes can fill (and close) QUICKLY!
  2. Get all your required ART 100 level courses out of the way ASAP.  AND we STRONGLY recommend you take ART 125 BEFORE  ART 126.
  3. Take no more than 3 studio or graphic design courses in one semester; aim to take at least two each semester.
  4. JUNIORS: Take Professional Practice, ART 392 during your junior year in the major. (By junior, I mean when you’re about 2/3rds- 3/4s through the Art/GD major, with several studio courses and the two 100-level art history courses under your belt.)
  5. If you’re planning on graduating during the 2016-2017 academic year, check with your art professor or advisor about which capstone course you need to take. For the  “General” Art major, you should take Critique Seminar, ART 497; for the Graphic Design major, you should take Design Portfolio, ART 487 (and, like most 400-level studio courses you can take this twice for credit!!); for the Art with Concentration major, you need to register with a form available from your advisor for Senior Studio, ART 493. (For ART 493 in the fall 2016, Trenton Baylor will be your primary prof since he’s leading the course; Tom will be leading it in the spring and you’d sign up with him then. Ask any Art faculty member if you have questions.)
Also— Senior exhibitions (by those currently enrolled in ART 493) will happen beginning 4/25 in the Foundation Gallery.  And “The Orgins of Hip Hop” will take over our big Fine Arts Gallery on 4/15— more info on these coming soon! THEY WILL ROCK!!! 
 
Lastly, Here’s an opportunity to exhibit your work that I’m passing along: 
 
Calling All Wisconsin Artists,
 
The Edna Carlsten Gallery at UW – Stevens Point is seeking artwork for an upcoming exhibition on the theme of “Social In/Justice”.
 
Where: Edna Carlsten Gallery, University of Wisconsin – Stevens Point
When: June 13 – July 29, 2016
What: “Viewpoints: Social In/Justice” an exhibition including a print portfolio organized by Benjamin Rinehart, Associate Professor of Art at Lawrence University. This portfolio titled “Social In/Justice” consists of 14 prints created by artists from around the country. Each artist was asked to react to, and personalize challenges to societal norms through a variety of printmaking techniques. The work explores unfair acts, inequalities, and restrictions to individuals or groups of people.
 
Call for art: While including the print portfolio in the exhibition, I also want to include work done by students, faculty and other artists from around Wisconsin. If you have work you would like to be included in this exhibition, please send the name, title, medium, date, size, a brief artist statement and an image of the work to Leslie Walfish, Curator of the Carlsten Gallery by Sunday, May 1, 2016. Information can be sent to Leslie by email:Leslie.Walfish@uwsp.edu<mailto:Leslie.Walfish@uwsp.edu>  All art mediums welcome. Work must be ready to be displayed (framed and in good condition) and delivered to the Edna Carlsten Gallery by May 20th. If you have any questions, please email or call at (715) 346-4797<file:///tel/%2528715%2529%20346-4797>
 
Best regards,
Leslie Walfish
Happy Spring!
LM
Lisa Marie Barber
Associate Professor, Chair
Art Department

Professor Bartel Wins 2016 RAM Artist Fellowship !

2016 RAM Artist Fellowship Winners

The RAM Artist Fellowship Program aims to showcase the diversity and vitality of the Racine/Kenosha visual arts community by supporting the professional development of its artists. The third biennial exhibition features the work of the following artists:

Tim Abel, Kenosha

Martin Antaramian, Kenosha

Kirsten Bartel, Racine

Lisa Bigalke, Kenosha

Each of these four artists will be awarded $2,500, which may be used for any expenses that will assist in the development of new work and advance their artistic careers, such as equipment and supply purchases, studio rental, and travel.

Concurrent solo featuring each recipient’s work will be presented at RAM’s Wustum Museum of Fine Arts, August 25 through November 25, 2017. A color brochure will accompany this fellowship show. By increasing critical attention and exposure for recipients, the program fosters their continued creative and professional development.

The RAM Artist Fellowship application process will be repeated in 2017, with the next entry deadline in January 2018.

 

Tom Berenz’ broken memories at Thelma

http://www.jsonline.com/entertainment/arts/tom-berenz-broken-memories-at-thelma-b99685759z1-371797651.html

 

Tom Berenz’ broken memories at Thelma

"Lady Above the Garden"

Tom Berenz

“Lady Above the Garden”

Memory becomes fragmentary in time. As the past moves into the distance, memories become less distinct, reduced at times to images, colors or scents that evoke mnemonic awakenings. This is the creative realm where Tom Berenz works.

Tom Berenz’ recent exhibit at the Thelma Sadoff Center for the Arts in Fond du Lac was a small grouping of wonderful, at times poignant, paintings.

He calls his subjects “piles,” and indeed they are a mash-up of broken memories, an array of trendy painting gestures, heaps of forlorn junk and pop-culture references. “Lady Above the Garden” shows a cartoonish elderly woman broken to bits as if viewed while driving swiftly past cracked glass. She could be a lawn ornament. Her shards combine with gingham and leafy green projections, seemingly lit from above by an orange sun and a cloud doubling as a raw egg.

There is dripping paint, hard edged abstractions and realist gestures forced into a hot, jumbled mess. It reminded me of a blurry summer afernoon from long ago. There were strawberries, a garden and a figure whose face I’ve since forgotten.

This is not to say that the paintings rely on sentiment. They are an awful lot of fun, even if the subject matter is dark. The exhibit’s titular painting shows wild, extended limbs flailing under water. It recalls a near drowning experience and the viewer can see useless water wings, perhaps a life preserver and splayed hands absently chopping and splashing. I am reminded of the bitter humor of contemporary painter Dana Schutz and the cartoonish angst of Wisconsin artist T.L. Solien simultaneously.

Berenz is quickly becoming one of Wisconsin’s most distinctive emerging painters. I look forward to his deepening excavations of memory reconstructed in paint.

“Tom Berenz: Three Feet Under” was on view at the Thelma Sadoff Center for the Arts in Fond du Lac through last week. “Tom Berenz: Towards the North” will open at the James Watrous Gallery, 201 State St. in Madison on March 18 and be on view through May 8 alongside a solo exhibit by Shane Macadams.

Rafael Francisco Salas and Tom Berenz worked together for a time at Ripon College. Salas is a painter, a professor of art at Ripon College and a regular Art City contributor.

 

ART PARTY!

Hi Art Department Majors and Minors! It’s gonna be a GREAT DAY!!
 
TODAY!! We have our Art Party beginning at 3pm. We’re hoping for a full house of guests! Free food begins at 4pm, an awards reception for our guests begins in the Mathis Gallery at 5pm and then the 
JURIED STUDENT EXHIBITION reception begins at 5:45-ish in the Foundation Gallery. Come support your talented peers and celebrate being part of this great department we simply call “Art”!!
 
Other great opportunities:
Art Department Scholarships, March 16th
Free money for those selected!! Drop off portfolios, application forms, and transcripts (per the directions attached) in the Ceramics studio (MOLN D134) on Wednesday, March 16th, 2016 between 8:00am and 10:45am. To make special drop off/pick up arrangements, please contact Professor Bartel at bartelk@uwp.edu.
 
Ranger News wants Artwork!
Nicholas Ravnikar, one of the faculty advisors for Ranger News, says the paper is looking for more artwork to put in the paper. He mentioned caricatures or comic strips but is open to anything! HOORAY! :-)  Please contact him at ravnikar@uwp.edu if you’d like to be considered for this opportunity.
 
$11 per hour Assistant Graphic Designer position at the UW-P Small Business Development Center
This is a great opportunity and your compañera, Robin Brown, has successfully (and happily!) held this post for some time. The SBDC is looking for someone to fill her shoes:-)
Please contact mcphaul@uwp.edu and look on Ranger Trac for specifics of the position and how to apply.
 
As always, if you have any questions, feel free to send ’em my way!
Happy Art Party day!!
 
LM
 
Lisa Marie Barber
Associate Professor, Chair
UW-Parkside Art Department

The new art exhibit “In the Making” explores the complex dynamics between artist and apprentice

The new art exhibit “In the Making” explores the complex dynamics between artist and apprentice

Violette's 'Not Yet Titled (Three Chairs)'

Banks Violette’s ‘Not Yet Titled (Three Chairs)’ (Photo: Luxembourg and Dayan)

Last Thursday night, Luxembourg and Dayan’s Upper East Side townhouse buzzed with activity. Curators, collectors and writers flowed up and down the stairs of the three-story gallery to view “In the Making,” a new exhibition exploring the complex dynamics between artist and assistant. Compelling examples of mutual influence could be found on every floor. On the top level, Urs Fischer’s stray body parts dangled from the ceiling next to an equally surreal video piece by his former assistant Darren Bader. On the second Eric Brown’s painted collage echoed the appropriative voice of his boss Richard Prince. Tracing the matriculation of contemporary stars, like Messrs. Brown and Bader, the show juxtaposes the work of apprentice and master to gain new insight into the practice of both.

Before they opened the doors to the public, the evening’s host dealers, Daniella Luxembourg and Amalia Dayan, gathered guests on the first floor to introduce the show’s curator, Tamar Margalit, who pursued months of research to bring this once-in-a-lifetime exhibition to fruition.

George Condo's Television Silkscreen 'Howdy Doody Mr. Howell'

George Condo’s Television Silkscreen ‘Howdy Doody Mr. Howell’ (Photo: Luxembourg and Dayan)

Conversations between friends old and new drove the night. Artist George Condo took the floor from Ms. Margalit to tell a rousing anecdote from Andy Warhol’s factory—where the artist got a job first as a writer and then as a painter on the infamous assembly line. “There was a phone next to the silkscreen table. It would ring, and they would say, ‘It’s Mrs. Warhol. She wants the background to be green.’ I don’t know why they always referred to Andy that way, but they’d send me back to the closet to get cans of paint,” Mr. Condo said and laughed. A diamond duster at Warhol’s studio, Condo’s silkscreen hangs next to one he executed for the Pop Art legend. In recounting the predilections of his former boss, Mr. Condo recalled Warhol’s admiration for Robert Rauschenberg, whose work consumes the street level gallery alongside his Minimalist assistants, Dorothea Rockburne and Brice Marden.

Mr. Marden, who actually executed the Rauschenberg pieces, was not present, but Ms. Rockburne spoke highly of their times together. “I met Bob [Rauschenberg] at Black Mountain College, and we became good friends. For some reason he thought I was organized. One day I ran into him on the street, and he offered me a job,” said Ms. Rockburne, who promised Rauschenberg a six-month stint. “I hired Brice and saw that things got done. As everybody knows, I’m good at figures, so I balanced everything. The one thing about working for Bob is that his humor and intelligence were so superb.” Fond memories included an adaptation of Hamlet written by Rauschenberg and Cy Twombly with Ms. Rockburne cast as a long-haired Ophelia.

Bickerton's 'Wall Wall Diptych No. 6 (With Beach)'

Ashley Bickerton’s ‘Wall Wall Diptych No. 6 (With Beach)’ (Photo: Luxembourg and Dayan)

The exhibition presents Ms. Rockburne as a teacher as well as an assistant. Carroll Dunham, her assistant in the 1970s, credits the inspiration for his first mature body of work to Ms. Rockburne’s own experimentations with industrial materials, such as crude oil, chipboard and nails. The two are installed side by side on the first floor. “I’m still friends with Tip and Brice. I knew Bob until he died. These things just go on,” Ms. Rockburne said. “That is what I think is so important about this exhibition—everything is so much about market now, and nobody goes into what makes the work, how it comes about, what the human aspect of it is.”

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